Author Archives: kelsiekoerber

Megaaa BLOOOGGG

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The final screening in this class was none other than film lover extraordinaire Quinten Tarentinos latest film, Once Upon A Time In Hollywood. The film takes place in 1969 “Hollywoods Golden Age”. It follows western actor Rick Dalton as he comes to grips with his withering career getting further from the hype he used to have. MEANWHILE the film also manages to tell the tale of the Manson Family and the murder of Sharon Tate, or as this film ends, the murder of the Manson family, he then merges these two plots together for an entertaining 2 and a half hour film and boy is it a journey.

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I first saw this film in theaters when it came out, I absolutely loved it. It seemed a lot different than films of his past like he took themes and aesthetics from old films of his and made this movie. It also is a love story to old Hollywood and the films which are some of his biggest inspirations. Watching this film I couldn’t help but recognize everything I learned in past classes of yours and how he was incorporating so much of Hollywood and film history into one film. The spaghetti westerns, the Trippy hippy films of the 60s, the action, the low budget sexy films. There is so much jammed packed into this movie. Another notable part was Margo Robie playing Sharon Tate, she was so charming. In one of the readings this week the author says “The Film Gives Sharon Tate the life she was denied” and I think that sums up a lot of this film perfectly. He rewrote history the way he wanted to, he painted it in his own loving way, its warm and affectionate, something that hasn’t necessarily been shown in films of his past, or at least not to this extent. The ending is bittersweet, It is a sigh of relief when history is changed and everyone ends up happy and safe, sadly this was not the reality of the situation. Walking out of the theater after watching it the first time I felt sad and happy, it’s nice to at least imagine this ideal world.

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This film fits in with the class because it is an ode to everything that makes up cult films and films in general. Sharon Tate herself starred in a few cult films one being Valley Of The Dolls. (Side note, great album if anyone into music, Dorthy Ashby does a cover of the film’s theme on her album Afro-Harping which is phenomenal, check it.) Tarantino has created many cult films in the past, I expect this one will follow in the footsteps of those prior, especially for film lovers all over, its a must watch!

Now for the second half of this blog, a reflection on the semester.

First, writing this is extremely bitter sweet as it will be my last blog ever for one of these courses. The second I took my first film class, Intro To Film I was hooked. Ive always been a movie lover so to find a class where i get to discover new films and talk about them, learn more about everything that goes into them was like a dream come true. Ive always had so much fun in every film course i have taken and will 100% look back on them as a favorite part of my undergraduate years. I have learned so much, a lot of which has helped me become inspired with my own painting and photo practice.

This class was so much fun! I am a big fan in cult films in general, all types. I was delighted when we covered a few of my favorites such has Carnival Of Souls (I went through a phase where I listened to that soundtrack constantly, loved the creepy organ music.) Suspira was another one of my favorites that I came into the class already knowing. My friend and i actually went to a show in buffalo last fall of the artist who did the soundtrack Goblin, they preformed the music of Suspiria live, it was absolutely insane being able to experience that intense soundtrack in person. And then obviously John Waters Pink Flamingos. John waters is the king of camp as we learned, everything about his style screams over the top extreme which is what makes him so interesting to watch.

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And despite having seen a few of these films, it still felt fresh, new and fun after reading the material and  getting to understand them further. As for the films that were new that i enjoyed. Honestly, most of these films were really interesting and brought a whole new set of ideas to the scope of the weird genre that is cult films. They all taught me something new and planted ideas in my head.

3. The Warriors– The way this film painted New York City and also the pure thrill of this film.

2. Matinee– This film was beautiful and goofy at the same time. We also got to read and learn about the interesting human that William Castle was, that alone put this film into my favorite list.

and 1. Valerie And Her Week Of Wonders – This film was my favorite, visually it was everything i could want. Moody soft color pallets are my favorite tone, or black and white. This film was dizzying and surreal, it felt like a fever dream which is something that appealed to me. It certainly made me feel uncomfortable at times which is something that makes a cult film.

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As for my least favorite films it probably had to be Detroit Rock City. Not saying it wasn’t good or enjoyable, actually I think the reason it wasn’t my favorite is probably because in highschool while going through the inevitable angsty phase i spend a tremendous amount of time watching corny rock n roll flicks like this, so it just didn’t really bring anything new for me.

Overall, This course taught me a lot and made me think in ways i hadn’t before, it really sharpened my understanding of cult film and films in general. It was yet another great class.

Thank you much prof. Schlegel for really guiding and shaping my love for film, I have a better understanding and excitement for one of my favorite mediums and for that I am eternally grateful, I will carry what I’ve learned with me as I continue my journey in life!

The Gimmicks Of William Castle

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The screening this week was Joe Dante’s 1993 film Matinee. The film takes place during the cold war, specifically the Cuban missile crisis on key west. A low budget b movie horror film director that resembles and references William Castle is in town getting ready to scare the audience on the matinee screening of his new film Mant!, as well as watching this event unfold the story follows young teens navigating this world of paranoia as they prepare to see the film. It was a super good movie which I enjoyed SO MUCH! First, the whole nuclear end of the world looming fear is eerily similar to what we are all experiencing now I felt, although it is not a bomb, it still is a very uncertain time, many people are fearful or at least uncomfortable, it is a shared experience just like the people in this film mentioned. Secondly, I love films that deal with the cold war, specifically the red scare, especially ones made during that time, for example, 1956s Invasion Of The Body Snatchers or 1958s The Blob. This era in history is so fascinating to me, it was a time of complete conformity despite thinking the conformity that came with communism was the ultimate evil. It was a period of extreme hypocrisy that always fascinates me. Sandra calling everyone out In the beginning was a moment I adored, she and her family seemed to be some of the only people really forming their own thoughts. “She must be a commie” one of the young boys said. The third thing I loved about this movie was the Ode to William Castle. In one of the reading this week the author talks about how Castle genuinely pulled out all of the stops to scare his audience, he encouraged them to scream, jump, panic, that was the ultimate goal. He pulled out so many stops, reminiscing the early days in the film when it was more than just viewing, it was almost a theatrical experience. He is quoted from his autobiography after experiencing a particularly dramatic screening of Les Diaboliques saying “I want to scare the pants off of America, when that audience gave that final collective scream, i knew that’s where I wanted to take them, only i want louder screams! More horror! More excitement!” So Castle went on to create Gimmick films. In these films, there would be some sort of prank or gimmick to trick the audience into getting even more terrified! In his film which is the only film by Castle I’ve seen, (although after this week’s readings and film i intend on watching more) House on Haunted Hill, he had plastic skeletons floating around. Screen Shot 2020-04-25 at 1.53.38 AMScreen Shot 2020-04-25 at 1.53.57 AMIn his film The Tingler the chairs vibrated, a gimmick directly used by the director in Matinee. I mean this dude was so into it, its admirable and was so exciting to learn about, I ended up doing quite a bit of research on my own. Overall seems like a pretty cool dude to me, the pics don’t lie.

After learning more about Castle and then watching the screening I though it did such a good fun job at capturing his essence and what he did, Woolsey really wound his crowd up, from the vibrating seats and the Mant costume he really showcased the fun and excitement that came with Gimmick films.

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This screening and these readings might have been my favorite of the year. Castle and his films were so campy and exciting, I can totally see how John Waters wished he was him, he surely knew how to put on a show.

DISCO SUCKS!

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This week’s screening is a film I have not seen before Detroit Rock City. As it reminds me of many of the movies I watched in high school I’m surprised I hadn’t come across it sooner, I honestly haven’t heard of the film before it was mentioned in this class, that being said, it hasn’t been my favorite film this semester but I did enjoy it very much! The film follows a group of teen boys in a kiss cover band as they go through obstacles to see the band they idolize. Of course, the quest was not easy, if it was I’m sure it would be a boring film, watching their conquest is what makes the movie so fun, along with the rebellious goofy boys. Like, seeing Kiss for these kids was nooooot easy, but that’s what makes the end, when they finally go feel so fulfilling, YES !! They’re finally seeing them after everything. This film like last week’s Dazed and Confused takes place in the 70s, further reflecting on that 70s nostalgia. Watching these two screenings made me think about our generation and if we have any nostalgia in contemporary film or a certain era, honestly the more I think about it the more I’ve come to the conclusion that a lot of contemporary films are focused more on political climates than longing for a certain aesthetic of the past. The world seems to be so crazy nowadays it’s hard to focus on much else. Maybe that’s also just where I find myself navigating within film though as that is a topic I am constantly thinking about.  That also only comes through from films I personally have been watching the past few years though so if anyone has anything to contribute to this though I’d love to know. Outside of film I definitely think there is a general at least in my generation a nostalgia for the 90s/early 2000s, our earliest childhood years.

Anyways, back to the film, at one point the kiss fanboys literally beat up a disco duo which is a funny relation to last weeks reading, I can’t remember which but one talked about how disco was literally the hype in 90s music films but Detroit Rock City and Dazed and Confused rebelled against this trend and we quite literally see it, the tagline is “Disco Sucks” that was just so fun.

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Another part of this film that I thought was super funny was that the crazy christian  mother of the main character, Jam was soooo conservative, she was like a character straight out of reefer madness. She mentions pot being horrible SO many times in the most absurd dramatic ways (despite chugging down wine and chain smoking cigarettes) she was one of the highlights of the film just because of how ridiculous her character was.

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The reading I enjoyed a lot was Cult Cinema And Music. This reading talks exactly what the title says, music, cult films and how they correspond. The first thing i was ever passionate about in life was music, stemming all the way back to elementary school being obsessed with the beatles. Music has always been a huge interest of mine which is why i belive i enjoy cult films so much. Just like the reading discusses cult film and cinema are intertwined. Many musicians pop up in cult films such as Kiss in the screening this week, Bowie in The Man Who Fell to Earth, the Beatles in all of their movies, and many more. Another type of film is the staged concert film, this reading talks about The Talking Heads film Stop Making Sense and how by being a band and making a film like this, it can get your audience into cult films or get the filmgoer interested in your band. Love the talking head and this film by the way! David Byrne is amazing. Screen Shot 2020-04-11 at 1.47.04 AM

Soundtracks to cult films in themselves have a major part of the cult movie experience and can get a cult following of their own, the author talks a lot about Quinten Tarantinos ability to create not only great films but soundtracks that accompany them that gain a cult following as well as the movie, the way he can juxtapose the brutal image with a sugary pop image and I agree, it is quite fascinating how he does it and great to watch! A film I can personally talk about is The Harder They Come (1972). I Had not seen the film until this summer but I have been listening to the films soundtrack by Jimmy Cliff for years, finally when I had time I sat down and watched the film and obviously loved it. That is just my personal experience with the relation between cult film and music, the reading was super interesting and made me think a lot about my self discovery in terms of music and films and how they correlate.

Anti Disco Outsiders

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The screening this week is known for its nostalgia, made in the 90s it yearns and reflects on the Stoney daze of the 70s … This film makes me personally nostalgic because when I first watched it I was a stoney high schooler who absolutely loved it. I believe I was in 10th grade so, like 15, it was one of my favorite films for the longest time, so revisiting it made me long for those days, especially in the midst of today’s doom and gloom.   The story is a classic high school story, last day of classes, everyone’s freaking out, rebelling, smoking pot and getting drunk. We’ve seen a lot of high school films, for example, The Breakfast Club, Fast Times at Ridgemont High, Ferris Bueller’s Day Off, yet Dazed And Confused stands out amongst these, it takes us back to the past and the characters carry the film. The film takes course over a day which not much happens besides the usual boring teen banter, but the characters come to life so well, you can’t help but want to join in on the antics with them. In the reading Outsider Nostalgia In Dazed and Confused, the author goes in-depth about these types of films and the culture around them. In the 90s a wave of 70s nostalgia came crashing in film, the author mentions films like Boogie Nights and A Night At The Roxbury. But unlike many of these films Dazed and Confused and Detroit Rock city didn’t follow the disco groovin theme of many of these films, instead, it trailed into its own, a moving rock and roll themed film, both finding their titles named after rock songs, this is what makes them outsider films of their era. Side note one of my favorite movies of this “rock” genre so to say is This Is Spinal Tap (1984) which follows a rock band in a mockumentary style film. It is certainly a cult film which I recommend to people who enjoyed our screening this week, a super funny take on the hairbands of the 80s.

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But anyway, back to the reading, I found it extremely interesting the way the author analyzes these films. They truly are outsider films and before I had read this I hadn’t thought about it that way. They have pieces of exploitation films through implied sex and violence but never commit to really delving into that or a coming of age film but it doesn’t have necessarily look at the teens NOW at the moment rather it looks back which many coming of age films didn’t at the time. Dazed And Confused truly is different than many of the films that came before it and I think that is why it is such a loved film, not to mention the amazing character performances by Matthew McConaughey and one of my personal favs Milla Jovovich, 

tumblr_n2rskdFaa61ql8t12o1_400      like come on, what a queen.

The screening this week was great, and to add to all of the praise the director Richard Linklater has directed some of my favorite films such as The Before Trilogy and Boyhood. They differ very much from the film we watched this week but 100% is worth the watch, especially the Before trilogy which is one of my favorite trilogies that I’ve seen. Such quiet and tender films. (images from below are from these)

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Valerie

Whoa, first let me say, the film this week Valerie and Her Week of Wonders was beautifully filmed, I am a HUGE fan of contrast and the way they contrasted colors, black and white was just beautiful, I did feel a bit odd though, it was an obviously younger girl being constantly sexualized. On paper the film was interesting but I couldn’t help but just think of how disturbing it is to see a young girl sexualized the way she was. That being said, I do plan on watching this again, I just wish they could have made the main girl a bit older so I wouldn’t feel so uncomfortable watching a lot of the highly sexual scenes because if this girl was older, not 13 I would have thought this was a stellar film, that being said, I can’t deny artistically it was ethereal, some of the shots were just so satisfying.

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This film is dizzying, its like nightmare daydream. Before this film had watched The Wicker Man 1973 which despite being very different visually are similar so I enjoyed watching this film. Both films deal with taboo subjects. Surreal films are my all-time favorite. I  love watching an artist make a piece of work that is not necessarily grounded in the story but the visuals. With surrealist films such as this, I feel it is more so based on the visual atmosphere or narrative. This film definitely fits into the artsier side of art cult film, it also reminded me of Alice in wonderland, but a lot more sinister. It also reminded me of a Jodorowsky film just how much taboo there was packed into one film. This quarantine has had me watching so many films and side note I recommend Jordorowskys Santa SangreOne of the readings this week also noted Andrei Tarkovsky’s influence and I completely see the visual similarities. Very spacey, ethereal and atmospheric.

One reading I particularly enjoyed was The Exploitation Generation. The 1970s is one of my favorite eras in film, The reading discusses how many of the filmmakers at the time were dismissing normal themes in western culture and embracing feelings not usually talked about. Nihilism and cynicism were common themes, rebellion, sex, anger. A lot of this was a response to the world at the time, people were not happy and it is expressed via film which reflects cultural themes at the time. The happy golden years of Hollywood were over. The filmmakers of the exploitation generation were steeped in the rebellious mores of the1960s, which celebrated sex, drugs, rock music, pop art, high camp, low culture,épater le bourgeois pranks and wholesale rejection of venerable social institutions. They found inspiration in cultural detritus and south to reclaim the motion picture past that nurtured them as youngsters, filtered through layers of nostalgia, pop-culture savvy and self-awareness.” The new generation or New Hollywood directors challenged every idea of what a popular film could be and created wonderful films. Some of these include Bonnie and Clyde 1967, Scarface 1983, The Godfather 1972 (one of my favorite scenes in movie history is the baptism/boss killing scene in this film),  Chinatown 1972 and many more. Stylistically you see this in our screening, just in a more experimental way.

This era in the film was such a reaction to the circumstances of this time. I can’t help wondering during these less than ideal times which types of films we will be watching in a few years and how they reflect the paranoia and uncertainty we are all feeling. Again, the film is a tool to study the culture and political situations at a point in history and I am excited to see what comes from our current situation.

The Pope of Trash, The Prince of Puke, The Duke of Dirt, The Sultan of Sleaze

 

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In class, we watched a midnight movie cult classic, Pink Flamingos A film by cult and camp enthusiast John Waters. Waters, an avid cinema lover wanted to create his own film that transgresses cultural norms and basically involves every taboo you can think of. This film definitely did just that, with changing times comes different standards for what is transgressive or provocative, yet pink flamingoes have stood the test of time and to this day id says is as repulsive and vile as those seeing it in the 70s must have though. This is part of its charm though, cult films get followings because of their outrageous content, an outlet for people’s strange interests and desires, a way to allow people to connect. I admire this film for the ability it has to offend people, its a sort of snub to bourgeoise lifestyle. Its main characters are the complete opposite, trailer trash bottom of the barrel folk who commit atrocities such as eating dog shit, enslaving women, living in a playpen shocking eggs down their throats, like a complete snub to any sort of luxurious lifestyle and the upper class. I think this was something many people could connect to, although many viewers probably weren’t living that particular lifestyle, it’s nice to see the lower end of the cultural class being showcased in an entertaining yet oddly lovable way? I found myself rooting for Devine by the end of the film despite all of the horrible acts she committed.

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Moving on from the film itself we can begin to talk about CAMP! Camp is a celebration, a light-hearted way to enjoy things that are generally of bad taste, in Susan Sontags Notes on Camp, which is a collection of thoughts about the concept she speaks about how camp is taste, it’s for of enjoyment, a king of love for human nature, a mode of appreciation not judgment. She also talks about how you cant particularly create something or do something with the intention of being camp, I mean you can but it isn’t truly camp or what it embodies, Intending to be camp is not heartful of itself. There are two general types of camp, a naive camp which is camp being nonintentional, genuine enjoyment and intended camp which is exactly as it sounds.

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Now John Waters is well versed in camp, even sometimes called the “King of Camp” Much of his art involves camp culture as it is a genuine fun exploration of bad taste like he says about pink flamingos. He loves it, it is part of him, none of it is mockery or disgust it is pure fun. He thanks his parents for bringing him up with politeness and training him in the art of “good taste” so he had something to rebel against. Personally, I adore John Waters, he’s a wild guy who isn’t afraid to speak up about what he believes and cause a little scandal. He gives a lot of good advice to emerging artists. He deliberately thrives outside of the mainstream, something I admire and creates some damn wild films.

A fun way to end this blog is a collection of photos of John Waters which I find fitting.

 

B Movies and Camp Culture

The screening this week was a film from 1945 called Detour. We follow the main character, a pessimistic grumpy piano player as he goes on a trip from New York to the west coast in search of his love, Sue. Sounds like a sweet and innocent quest for love until everything goes wrong. He ends up accidentally murdering people, stealing money and identities and despite this he insists that it is absolutely not his fault. Its a wacky film with some great Characters, my favorite being Vera played by Ann Savage.  Vera is angry, she’s sassy, she takes no shit and has a plan that will apparently save his ass.

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The film ends on the same note it started, negatively. Our main character, Al ends up “accidentally” murdering Vera and is ultimately caught for his crimes and arrested, having never found his love. This film was made for cheap with relatively unknown actors and actresses by Director, Edgar G. Ulmer who was an immigrant from the Czech Republic. He is widely known for being an important director of B movie films. B movies were generally low budget commercial films. B movies tend to be short, usually having a run time of 70 minuets or less. These films gave actors and directors a chance to work their way up to A films or to becoming highly regarded in the film world, for example we see Jack Nicolson star in a few B films before he would become a widely known star. His first film, (which was produced by Roger Corman, a respected director who would go on to produce and direct hundreds of independent low budget films and discover some of the most regarded figures in film such as  Francis Ford Coppola, Robert De Niro, Sylvester Stallone, Martin Scorsese, James Cameron, and many others). Was a B movie Film Nior titled The Cry Baby Killer, 1958. 

This Would be a start to a highly successful career for the actor. B movies were also appealing because unlike the very commercial highly popular A movies, B movies often toyed with more scandal-as themes than A movies. B movies tend to attract a cult like following and B movies have a lot of qualities that cult films generally do which is why many cult films are also B movies which is why they’re important to study in this class. 

The readings this week were very interesting to me, particularly the  Camp and Paracinema reading. In this reading the author describes to us concepts that are often seen in cult cinema such as “Camp”, “Kitsch”, “Paracinema” and “trash”. Camp, which is the main subject of this writing is as described by Susan Sontag “A mode of Appreciation and a feature of objects. This term despite rising to popularity in the 1960s has roots to the victorian age which it was defined by “actions and gestures of exaggerated emphasis”.  This term is often associated with gay culture, many gay people connected with this word and the culture that came with it because it often celebrated things that were out of the norm, alienated, associated with bad taste ect.. things and people that are often dominate were excluded from this culture which is why many gay men and women identified and participated in camp. These qualities of camp is what also connects it to cult films. Many people found things they could connect to that were otherwise unaccepted or shunned, celebrated. A huge part of cult movie culture is that people wanted a way to experience acceptance and fun in things they enjoyed that were not really accepted in mainstream culture.  Some major figures in Camp culture were Mae West, Joan Crawford, Bette Davis and more specifically Judy Garland who stared in the classic film The Wizard Of Oz. 

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These women were appreciated for their “indefatigable and bigger than life personas and also because of their subordinate position within patriarchal culture, and their frequent romantic troubles with men” It is reasons like this that Camp is a major player in cult cinema culture.