
The film of the week was Pink Flamingos and surprisingly, I really enjoyed it. This is different from any other film I’ve ever watched. The film was about a couple that runs a baby making company that give the babies to lesbian couples that want a child, trying to compete with divine for the tittle of being the filthiest people alive. In the beginning, I was questioning why the family lived in a trailer. By the end I understood why. Divine was a person not to be messed with. Once Divine received that package with the turd, the film started to get interesting. The dialogue in the film was very entertaining. The soundtrack from beginning to end had me feeling fierce but not as fierce as Divine. There were so many times that divine tripped wearing her heels but I looked past it because she was Divine, I don’t want to get on her bad side. I don’t want her to come lick my belongings and have them reject me. The Insect was something I didn’t expect at all. I didn’t know what to expect in this film. I didn’t watch a trailer, I just saw the gif someone put up of Divine in one of the past posts. I saw more than I bargained for, from the butthole scene to the insemination to incest to the castration to the cannibalism. That family is not to be messed with.

In the reading Notes on Camp by Susan Sontag, she literally has notes and it is not written in essay styles. Camp is not created to be serious even though it is about serious topics. It is not easy to make camo intentionally. Camp depends upon the perception of innocence, parody that doesnt recognize itself. This means that camp is an aesthetics of distance of ambivalent identification also explains why it’s hard to mass produce camp objects. More specifically, camp requires the perception of naive extravagance, a sense that the artist doesn’t realize that he’s too much to be taken seriously.
In Andrew Ross’ uses of camp, people think that camp is new and original but most people knew about it. There are different audiences for camp, not simply the gays. Historical definition of camp situates itself in relation to dominant power dynamics at any one time. Bad taste is actively produced by middle class people who are working to reject inherited values.
“Transgression is any act that violates law and morality more broadly it refers to the act of passing beyond any imposed limits” while freakery is “The complexity of studying how cult films break or challenge taboos by pinpointing the process of transgression”. Taboo crosses between impure and purity. Taboo scenes get an emotional response from audiences because things can be seen as gross and grotesque. Sick films took taboo and transgression to the extreme weather it is negative or positive.
Cult consumption states that “ Audiences are at the core of the study of cult cinema”. What the audience likes is what gets the most people watching it. In certain times, violence, subculture and censorship and sex were problematic for certian audiences.









